Thursday, October 29, 2009

"Digital Strangelove"

When I came across this, I thought it was an interesting perspective on the message and medium concept of Marshall McLuhan.

There is no question that in the past 15 years that the net has affected our social norms and our business structures. It has affected how we gather media and in turn treat it as a social object to be shared with our ever expanding circle of friends on networking sites.

Change is afoot. We are living in interesting times.

Digital Strangelove (or How I Learned To Stop Worrying And Love The Internet)
View more documents from David Gillespie.

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Monday, October 26, 2009

Note From a Friend

"Hey, by the way, I am a fan of you! I was looking at your website and I like what I see. The way you describe your work and what it means to you is really well put together. Most of all, what gets to me at my core is the way you talk about beauty, hidden beauty. There is something I get on a deep level. It is there in your jewelry pieces and it is there in your aura, as well."

I just got this note from friend who is a very spiritual person, and I like him a lot. He's a powerful person, but quiet and I appreciate the level of introspection that he has given to his life. His note has let me know that the artist's statement of why I do what I do has some meaning. It may not make sense to everyone, but at least makes sense to someone.

The statement came out of a lot of self-examination. I could have gone on about pretty rock and loving colour, which I did for awhile, but for myself to truly know why I do this, I had to look at myself.

The past ten years have contained some of the best and worst of what has happened in my life, severe depression cycles, wonderful up times, end of a marriage and meeting and marrying one person who loves to loves me as I am. Getting instant family, giving up a business, and starting another. Mourning losses and finding myself. Gaining weight, then loosing it, keeping it off. Getting older, getting wiser. Being shy and learning to act so that no one needs to know. Closing up, closing myself off, isolating, and deciding that that is not the right path. Opening up, making the decision to connect. Reconnecting with old friends and making new friends, meeting people, jumping out of my comfort zone. Trying new foods, going places, getting dressed up, getting out. Finding out that I am beautiful, not in the fashion magazine sense of the word, but in my own very unique, individual way. Beautiful, when I let myself love and share and talk and show my inner nature.

So in response to my friend: ... thank you. I am truly honoured that you are a fan.

The whole thing of beauty, and inner beauty especially, stems from 'ugly duckling' issues. I suspect that even the most physically beautiful people have them too. On the technical side, gems are graded for their beauty and the realization is that none are perfect. There are invisible to the naked eye flaws, discolourations, problems with size or cut. A physically beautiful gem stone may have been chemically treated in some way to give it the appearance of perfection, but inside, under a microscope, it is a mass of fractures. An ordinary rock that on the outside looks worn, cracked, uneven, ugly, can have the most beautiful natural crystals or colours or patterns. This is humanity and unfortunately we rarely allow ourselves to get close enough to others to find their inner beauty and more importantly, we rarely spend the time on ourselves to realize that we are beautiful. Discovering that we are is a remarkable thing.

I am very happy you that you are reaching new levels in your meditations. You are a beautiful person and it only adds to your quiet power.

Talk soon, stay well.
Cheers,
Cynthia

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It is through art, and through art only, that we can realize our perfection.. - Oscar Wilde



Tuesday, October 13, 2009

Art Trek Gala Opening


“HIGH ON THE ARTS”

7-11pm Friday, October 16

Charlotte Street Arts Centre, Fredericton


An evening of music & dance, food & drink, including an auction of fine art.

The evening celebrates Fredericton and its artists and is the launch of ART TREK, a weekend when local artists open their studios to visitors from far and wide, showing us just how art is made!


Organized by the Fredericton Arts Alliance, ART TREK provides a map and addresses of all the studios. The launch includes singers, dancers and instrumentalists. Proceeds of the auction will help sponsor the Art Trek and its promotion.


Take part in a lively auction of works by Fredericton artists including: Judy Blake, Karen Burk, Marjory Donaldson, Lorna Drew, Katie FitzRandolph, Kim Vose Jones, Paula Keppie, Stephen May, Deanna Musgrave, Cynthia Ryder, George Strunz, and others, including a piece by our fabulous guest auctioneer Brigitte Clavette.


Enjoy live music and dance with pianist\Geraldine Mitchell, soprano Cathy LeBlanc, Artemis Dance, tenor Derrick Miller and pianist Diane Roxborough-Brown, poet Andrew Titus, Highland dancers, and more. Conclude your evening by dancing to some wonderful tunes!


Treat yourselves to gourmet nibbles, fine wines, and Picaroons excellent beer. (Your ticket will provide you with a free drink, after which there will be a cash bar.)

Tickets, $35 per person:

Available at Westministers books, from FAA Board members, or at the door. Call 454-1139, 455-8045

Organized by the Fredericton Arts Alliance


Fredericton Arts Alliance 5th Annual Art Trek Oct 17-18
Art Trek is a studio tour open to the public which takes place October 17-18 in Fredericton. Art Trek provides the public with the opportunity to meet artists in their place of work, and to do a little Christmas shopping while enjoying the fall colours. Admission to the Art Trek tour is free.
You can access more information, including a listing of all participating studios and a map, by downloading the Art Trek brochure at: www.frederictonartsalliance.ca Brochures will also be available around the city.
Art Trek hours are Saturday, Oct 17, 10-6 PM and Sunday, Oct 17 from 12-5 PM.


snagged directly from all the FAA promo material. Nothing original today.

Thursday, October 8, 2009

Quick Update

Last night was the official opening of the Metal Arts Guild of Nova Scotia's annual competition and exhibition at the Art Gallery of Nova Scotia in Halifax.

We decided to go last night.

I happily picked up an Honourable Mention in the Nova Scotia Stone Category.

I can also finally show off pix of the submissions.


Sea Grass bracelet, sterling, pearls, weaving, wrapping .



The bracelet in action.


A fuzzy pic of the Honourable Mention: Skate


Reef Life: a neckpiece in sterling with pearls and a simulated topaz.


Detail of neckpiece.

Monday, October 5, 2009

Curate: the word

I thought that this was interesting article. It addresses an aspect of art-speak: the appropriation of the word "curate" for the mundane but fun, much the same as stores have used "associate" and some of us use the word "colleague".


On the Tip of Creative Tongues

Published: October 2, 2009

THE Tipping Point, a store in Houston that calls itself a sneaker lifestyle shop, does not just sell a collection of differently colored rubber soles, along with books, music and apparel. No, its Web site declares, the store “curates” its merchandise.

Promoters at Piano’s, a nightclub on the Lower East Side, announced on their Web site that they will “curate a night of Curious burlesque.”

Eric Demby, a founder of the Brooklyn Flea swap meet, does not hire vendors to serve grilled cheese sandwiches, pickles and tamales to hungry shoppers. He “personally curates the food stands,” according to New York magazine.

And to think, not so long ago, curators worked at museums.

The word “curate,” lofty and once rarely spoken outside exhibition corridors or British parishes, has become a fashionable code word among the aesthetically minded, who seem to paste it onto any activity that involves culling and selecting. In more print-centric times, the term of art was “edit” — as in a boutique edits its dress collections carefully. But now, among designers, disc jockeys, club promoters, bloggers and thrift-store owners, curate is code for “I have a discerning eye and great taste.”

Or more to the point, “I belong.”

For many who adopt the term, or bestow it on others, “it’s an innocent form of self-inflation,” said John H. McWhorter, a linguist and senior fellow at the Manhattan Institute. “You’re implying that there is some similarity between what you do and what someone with an advanced degree who works at a museum does.”

Indeed, these days, serving as a guest curator of a design blog, craft fair or department store is an honor. Last month, Scott Schuman, creator of The Sartorialist, a photo blog about street fashion, was invited to curate a pop-up shop at Barneys New York.

The term “curator” was not intended to be hyperbole, said Tom Kalenderian, the men’s fashion director for Barneys. Consulting closely with the photographer, a former fashion retailer, the store stocked just the right items to help shoppers achieve the elegant, eclectic look The Sartorialist regularly features on its site.

“It was precisely his eye” that made the store want to partner with him, Mr. Kalenderian said. “It was about the right shade of blue, about the cut, about the width of a lapel.”

Curtis Macdonald, a Brooklyn musician, also says that “curate” precisely describes his job: hiring bands for a local site.

“When given to opportunity to curate an evening of music, choosing the right bands is very similar to curating a museum,” Mr. Macdonald explained in an e-mail message. “Since I, the ‘curator,’ choose personnel based on a particular aesthetic, I am able to think of creative ways of presenting music beyond the traditional ‘call-up a venue and ask for a gig’ way of presenting.”

Indeed, invoking the word can be good for one’s image and business, said Karuna Tillmon James, 30, who has a background in fine-art photography and recently opened a consignment shop selling designer clothing in Brentwood, Calif. It’s name: Curate Couture.

“I knew that people in the know would gravitate toward it,” Ms. James said. The name signals that hers is not just another secondhand-clothing shop, she said, “selling stuff that was gross and old and had been crammed in trunks for years. It would have very specific pieces, selected purposefully.”

Summon the word “curate,” she added, and “people know you’re going to get it.”

Pretentious? Maybe. But it’s hardly unusual for members of less pedigreed professions to adopt the vernacular of more prestigious ones, said Geoffrey Nunberg, a linguist at the University of California, Berkeley.

For instance, he said, the term “associate” originally tended to connote a partner or a work colleague who shared “a position of authority with another,” as the Oxford English Dictionary puts it. The description has expanded to include employees at all levels of the organization, including sales and customer service associates.

In the case of curate, which the Oxford dictionary simply defines as “to look after and preserve,” its standard “museum” meaning dominated until the mid-’90s, when references to curating hotel libraries and CD-of-the-month clubs started to pop up in periodicals, said Jesse Sheidlower, a lexicographer with the Oxford English Dictionary.

After 2000, nontraditional usage of the word took off. And as it continues to grow in popularity, others must adopt it, too, or face the consequences. For example, if all the rival nightclub promoters are “curating” parties, Mr. Sheidlower said, you don’t want to be the one left “hosting” one.

On the Web, the word — and the concept — have taken particular hold, not a surprise given the Internet clutter. Etsy, the shopping Web site devoted to handmade and vintage goods, routinely brings in shelter magazine editors, fashion designers and design bloggers to serve as “guest curators.”

Even news-aggregator Web sites, like Tina Brown’s Daily Beast, promote themselves as cultural curators.

“The Daily Beast doesn’t aggregate,” Ms. Brown says in a statement on the site. “It sifts, sorts, and curates. We’re as much about what’s not there as what is.”

In fact, curatorship of photos culled from Flickr pages, or of knitted scarves on Etsy, can be an artistic pursuit in itself, said Virginia Postrel, a cultural critic and the author of “The Substance of Style.”

“Because there are more things to put together,” she said, “the juxtapositions become a big part of the interesting experience of those things. It is a creative activity in itself.”

The talent for choosing among countless objects is not very different from the work of collage artists — or top D.J.s, explained Scott Plagenhoef, the editor-in-chief of Pitchfork, the music Web site.

“Certainly things like structure, flow, revelation, juxtaposition and other elements of D.J.-ing and mixing are considered an art,” said Mr. Plagenhoef, who served as an unpaid “curator” for the All Tomorrow’s Parties music festival in England. “Remix culture is a form of creative expression in its own right.”

And what of actual museum curators themselves? Are they offended by the democratization of their title?

“Maybe the use of ‘curate’ to refer to extra-museum activities is just metaphorical, akin to the way we use the word ‘doctor’ as a verb,” Laura Hoptman, a senior curator at the New Museum of Contemporary Art in New York, wrote in an e-mail message. “If we doctor a script, we are only theoretically operating on it.”

“It doesn’t really bother me,” she said of the trend. “Actually, I’m hoping its popularity will spawn a reality television show — maybe ‘Top Curator’? ”